Love and Sorrow

作品賞析

LIN Hung-Hsin applies digital image processing effects to his painting, using virtual and digital discourses, trying to crack down on the boundary between video and painting, and reveals the dissociation of mental state in facing the disharmony of virtual and real worlds. In Love and Sorrow, the pale figure in the darkness closes his eyes slightly. His visage is surrounded by human palms in many colors, the noise interrupting the image horizontally, the figure in the monochrome co-exists with the vivid surroundings and background in discord, lines are partially distorted, splitting and connecting paradoxically. Realism to LIN Hung-Hsin is not the reproduction of actual objects, but the imitation of the virtual image, analog virtualization as well as transcendental modern life experience.