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Exhibitions
Hiding a Tree in a Forest - Artists' Cabinets of Curiosities
2025.02.01 ~ 2025.03.30

Hiding a Tree in a Forest

Artists' Cabinets of Curiosities

 

As art has become more accessible over time, the public has grown accustomed to viewing artworks in dedicated spaces. Exhibition visits have become a regular part of our lives, whether for educational purposes or leisure. While artworks have always been the primary focus of exhibitions, physical constraints often render artists invisible behind their creations. Unless one carefully reads the information labels or conducts additional online research, most people's knowledge of the artist remains shrouded in mystery.

 

In recent years, recreating artists' studio spaces has become increasingly important in exhibitions. Audience curiosity now extends beyond the artworks themselves, as people seek to understand the creative process through various means of "approaching" the artist.

 

"The allure and uniqueness of an artist's role in society are key to shaping the value of their work."

Art Bank Taiwan aims to bring artists into the spotlight through a range of curatorial strategies and creative collaborations. In celebration of our 10th anniversary, we created a thematic section on our website, inviting artists to share insights into their creative journeys as well as their lives outside their artistic careers.Building on this concept, we now present Hiding a Tree in a Forest: Artists' Cabinets of Curiosities, a series of exhibitions staged in display windows, each showcasing the personal collections of a different artist. These windows offer a glimpse into the sources of an artist's creative energy and reveal the human side of their collecting habits.

 

An Artist's Cabinet of Curiosities

The idea of a "Cabinet of Curiosities" originated from spaces used by European aristocrats to collect and display rare artifacts, eventually becoming one of the precursors to modern museums.

In this exhibition series, artists' collections serve as repositories of creative inspiration, similar to keyword search results. The artists' love for these objects and the imagination they inspire nourish creative activities.

 

The exhibition's title, "Hiding a Tree in a Forest," is a quote from Tao Hui Shu (literally The Art of Hiding One's Light Under a Bushel) by YANG Shen (1488-1559).

It conveys the idea that a tree hidden in a forest becomes invisible to the public, a metaphor advising talented individuals to keep a low profile.

We reinterpret this concept: by "hiding" artists' works among their collections, we enable viewers to see both the "tree" and the "forest." Our hope is that audiences will recognize how the artists' works reflect the rich cultural, political, scientific, and social contexts embodied in their collected objects.

CHANG Yu-Chia

Collection: Soft Vinyl

Soft Vinyl—A Tribute to the Classics

Japan is renowned worldwide for its animation, tokusatsu (special effects) films, and toys. Many classic tokusatsu characters from different eras were later produced as soft plastic toys, which have become shared memories for post-war baby boomers. Collecting these toys is often about rediscovering classic characters like Godzilla, Kamen Riders, and Ultraman. Soft plastic toys, with their lower production costs and the ability to be produced in small quantities, have also inspired modern designers. Many pay tribute to classic cartoons and tokusatsu films, borrowing visual styles from Showa-era tokusatsu characters. Those familiar with these films will immediately recognize the references with an understanding smile.

 

Photo 1: A "Classic" Soft Toy

Photo 2: A 'Tribute' Soft Toy (inspired by a classic character)

 

Playing with Toys—Making Toys

“The strongest connection between playing with toys and creating artwork is that both create a parallel world, allowing me to momentarily escape real life. They fuel my imagination, inspire creativity for my art projects, and provide strength during moments of vulnerability.”

 

CHANG Yu-Chia introduced his character "Gymnastics Baron" in 2014, blending personal life experiences and social commentary into works like The Gymnast Daily and Gymnastics Baron's Journey. This series seems to mirror his personal growth, evolving like chapters in an animation. Starting with flat, layered paint, he has progressed towards three-dimensionality. His imagination expanded the world of his character "Gymnastics Baron" and led him to his dream—transforming from a toy enthusiast into a toy creator.

Finally, with the help of professional toy maker 1982kids, a soft plastic version of Gymnastics Baron was born!

Toy-making opened up a different creative path for Chang. The toy design community’s trend of reimagining classic IPs, while adding fresh elements, allowed him to throw himself into the process wholeheartedly. Inspirations from his favorite anime and music, such as Cobra and Daft Punk, are evident in his work. Each piece pays tribute to a bygone era, but the story doesn’t end there—so long as the passion remains, Gymnastics Baron will continue his journey.

 

Photo 3: Gymnastics Baron
Photo 4: Cobra
Photo 5: Daft Punk

 

Supported by: 1982kids

CHANG Yu-Chia
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